Stage Management Highlights | Cameron Reed Cox

SELECTED PRODUCTION / 01

Murder on the Orient Express

Nevada Conservatory Theatre 2025

Based off of the Novel by Agatha Christie
Adapted by Ken Ludwig
Directed by: Michael Lugering
Cast of 19, Crew of 20
Called complex Lighting, Sound, Video, Rail, Deck and dynamic Projection Cues
Used as a thesis project to explore new and emerging technologies in stage management including CueList, LineIt, StageWrite, and dynamic use of the Google Suite & Artificial Intelligence.
Worked with Intimacy/Fight Choreographers.
Coordinated simultaneous rehearsals

SELECTED PRODUCTION / 02

Silent Sky

A Public Fit Theatre Company

Written by Lauren Gunderson
Directed by: Tracey Corea
Cast of 5, Crew of 3
Called Lighting, Sound, Projection and Deck Cues
Worked extensively on Rehearsal Qlab in coordination with Sound Designer
Notated Blocking in Goodnotes
Worked with transfer to performance space in the Clark County Library

SELECTED PRODUCTION / 03

The Wizard of Oz

Utah Metropolitan Ballet

Composed by Silvio Amato
Choreographed by: Jacqueline P Colledge
Assistant Director: Johnny Zhong
Cast of 50, Crew of 11
Called Lighting, Sound, Video, Rail, Deck and ZFx Cues
Worked to remount previous lighting design
Spearheaded the remounting of projection cues in Qlab to adjust to new space
Worked alongside ZFX Flying Effects to coordinate performer flying to ensure safety and musical coordination of flying

SELECTED PRODUCTION / 04

Mr. Burns: A Post Electric Play

Nevada Conservatory Theatre 2024

Written by Anne Washburn
Director: Kirsten Brandt
Rehearsal PSM: M William Shiner
Intimacy/Fight Coordinator: Sean Boyd
Cast of 22, Crew of 11
Notated Blocking
Notated Intimacy Choreography
Worked Closely with Intimacy Coordinator
Calling Light, Sound, Rail and Deck Cues for performance

SELECTED PRODUCTION / 05

The Pavilion

A Public Fit Theatre

Written by Craig Wright
Director: Ann-Marie Pereth & Joseph Kuzcan
Cast of 3
Staged Reading
Notated Blocking
Calling Light and Sound Cues
Worked with transfer to performance space in the Clark County Library

Production image for Mud — Mud · Stage Management · Nevada Conservatory Theatre 2024

SELECTED PRODUCTION / 06

Mud

Nevada Conservatory Theatre 2024

Written by Marie Irene Fornes
Director: Norma Saldivar
Intimacy/Fight Coordinator: Sean Boyd
Cast of 3, Crew of 10, Full Orchestra
Notated Fight Choreography
Notated Intimacy Choreography
Worked Closely with Intimacy Coordinator
Took blocking notation in StageWrite
Calling Light, Sound, and Deck Cues

SELECTED PRODUCTION / 07

Fiddler on the Roof

Brigham Young University Music Dance Theatre 2022

Music by Jerry Bock
Book by Joseph Stein
Director: David Morgan
Music Director: Korianne Johnson
Choreographer: Adam Dyer
Conductor: Chris Smith
Cast of 31, Crew of 27, Full Orchestra
Extensive Fight Choreography and Tumbling
Use of the Rail and Aerialists
Took blocking notation in StageWrite
Coordinating with a live Orchestra
Maintained safety protocols and trained swings/adjustments during the COVID-19 Pandemic
Organized multiple simultaneous rehearsal rooms
Calling Light, Sound, Deck, Rail and Spot Cues
Coordinated Filming of Project
Maintained Safety with multiple Harnessed Performers

SELECTED PRODUCTION / 08

A Dinner Engagement

Brigham Young University School of Music 2021

Composed by Lennox Berkeley
Libretto by Paul Dehn
Director: Robert Brandt
Conductor: Nicolas Giusti
Coach: Barbra Allen
Pianist: Sylvan Scott
Cast of 7, Crew of 5
Full show double cast to maximize shows with 3 additional covers (Total cast of 17)
Dealt with live food on stage
Worked in a functioning kitchen space onstage
Coordination with videographers for live streaming
Took blocking notation in StageWrite
Called light and deck cues
Worked with a live pianist
Maintained safety during the COVID-19 Pandemic

SELECTED PRODUCTION / 09

Bon Appetite

Brigham Young University School of Music 2021

Composed by Lee Hoiby
Text Drawn from Julia Child in The French Chef
Director: Robert Brandt
Conductor: Nicolas Giusti
Coach: Barbra Allen
Pianist: Sylvan Scott
Cast of 2, Crew of 5
Lead role double cast to Maximize Shows (total cast of 3)
Dealt with live food on stage
Worked in a functioning kitchen space onstage
Took blocking notation in StageWrite
Coordination with videographers for live streaming
Called light and deck cues
Worked with a live pianist
Maintained safety during the COVID-19 Pandemic

SELECTED PRODUCTION / 10

Prothero

Salt Lake Fringe Festival 2021

Written by Maggie May
Directors: Mariah Eames & Mandarin Van Noy
Production Manager: Melissa Longhusrt
Cast of 7, Crew of 1
Was sole tech including light & cue lab operation
Working with a new script/revisions
Touring production across venues in the Salt Lake Fringe Festival
Took lead on scenic set up and take down including practical LED light strips
Coordinated cast travel to venue

SELECTED PRODUCTION / 11

The Magic Flute

Brigham Young University School of Music 2019

Composed by Wolfgang Amadeus Mozart
Libreto by Emanuel Schikaneder
Director: Joshua Lindsay
Maestro: Kory Katseanas
Coachs: Barbra Allen & Nicolas Giusti
Cast of 34, Crew of 19, Full Orchestra
19 Lead Roles Double Cast to Maximize Shows (Total cast of 53)
Took blocking notation in StageWrite
Worked with staggered rehearsals with midday in class rehearsals
Scheduled individual vocal coaching sessions with entire cast
Coordinated separate chorus rehearsals
Created run sheets for student chorus member and assigned show crew
Coordination with videographers for live streaming
Called light, rail, sound and deck cues
Worked with a live orchestra

SELECTED PRODUCTION / 12

Tribute

Artistic Director: Jacqueline P. Colledge

Associate Director UMB Co: Heather Gray
Production Manager: Jennifer Reed
32 Dancers, Crew of 4
Coordinated with lighting designer to create prompt script
Called light, sound and rail cues
Coordinated work with a live string quartet

SELECTED PRODUCTION / 13

Rosencrantz and Guildenstern Are Dead

Written by Tom Stoppard

Directed by Reese Purser
Cast of 25, Crew of 12
Took blocking notation in StageWrite
Created Rehearsal schedules
Created scenic/rail run sheets
Created prompt script
Called light, deck, rail and sound cues

SELECTED PRODUCTION / 14

Romeo y Julieta

Based on Rome and Juliet by William Shakespeare

Adapted by Vale McComb, Emily Dickerson & Mariah Eames
Directed by Julia Ashworth
Cast of 9, Crew of 1
Was sole technical support for touring production which performed to over 30 elementary schools and libraries as well as a 2 week run in the Harrison Fine Arts Center
Performed for over 1500 students in Utah and Salt Lake County
Coordinated cast performance with Utah bilingual education conference
Coordinated cast visit with playwright José Cruz Gonzalez
Created tour schedules
Became Van certified to shuttle casts to various venues
FBI Background Check license to work in schools
Supervised scenic set up and take down
Set up and ran sound on QLab

SELECTED PRODUCTION / 15

HappySadness

Written by Chandra Marie Lloyd

Directed by Taylor Hatch
Cast of 6, Crew of 3
Took blocking notation
Coordinated distribution of script revisions as it was a new work
Coordinated with the creation and maintenance of 5 puppets used throughout the show
Called light, sound and deck cues
Created a rehearsal schedule built around devising and playing with scenes for the benefit of the playwright

SELECTED PRODUCTION / 16

Nelke Theatre

Resident Stage Manager

Cameron also worked for 5 years as the resident stage manager of the Harrison Fine Arts Centers Nelke Theatre
Responsibilities included:
Coordinating and addressing the technical needs of 15+ student and visiting production in a given semester
Programing the light board
Light Hang/Focus
Running sound board
Coordinating on site scenic/prop storage
Mentoring student directors in how to work with Technical Directors
Supervising the scenic load in/load out of various productions
Maintaining theatre space/facilities

Production by production.