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"Tradition" from Fiddler on the Roof

Stage Management

Cameron has professionally Stage Managed for Theatre, Ballet and Opera.

Check out some highlights below!

Silent Sky

Silent Sky

A Public Fit Theatre Company

Written by Lauren Gunderson

Directed by: Tracey Corea

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Cast of 5, Crew of 3

  • Called Lighting, Sound, Projection and Deck Cues

  • Worked extensively on Rehearsal Qlab in coordination with Sound Designer

  • Notated Blocking in Goodnotes

  •  

    Worked with transfer to performance space in the Clark County Library

The Wizard of Oz

Utah Metropolitan Ballet

Composed by Silvio Amato

Choreographed by: Jacqueline P Colledge

Assistant Director: Johnny Zhong

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Cast of 50, Crew of 11

  • Called Lighting, Sound, Video, Rail, Deck and ZFx Cues

  • ​Worked to remount previous lighting design

  • Spearheaded the remounting of projection cues in Qlab to adjust to new space

  • Worked alongside ZFX Flying Effects to coordinate performer flying to ensure safety and musical coordination of flying

The Wonderful Wizard of Oz
Mr. Burns

Mr. Burns: A Post Electric Play

Nevada Conservatory Theatre 2024

Written by Anne Washborn

Director: Kirsten Brandt

Rehearsal PSM: M William Shiner

Intimacy/Fight Coordinator: Sean Boyd

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Cast of 22, Crew of 11

  • Notated Blocking 

  • Notated Intimacy Choreography

  • Worked Closely with Intimacy Coordinator

  • Calling Light, Sound, Rail and Deck Cues for performance

The Pavilian

A Public Fit Theatre

Written by Craig Wright

Director: Ann-Marie Pereth & Joseph Kuzcan

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Cast of 3

  • Staged Reading

  • Notated Blocking

  • Calling Light and Sound Cues

  • Worked with transfer to performance space in the Clark County Library

Pavilion
Mud

Mud

Nevada Conservatory Theatre 2024

Written by Marie Irene Fornes

Director: Norma Saldivar

Intimacy/Fight Coordinator: Sean Boyd

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Cast of 3, Crew of 10, Full Orchestra

  • Notated Fight Choreography 

  • Notated Intimacy Choreography

  • Worked Closely with Intimacy Coordinator

  • Took blocking notation in StageWrite

  • Calling Light, Sound, and Deck Cues

Fiddler on the Roof

Brigham Young University Music Dance Theatre 2022

Music by Jerry Bock

Book by Joseph Stein

Director: David Morgan

Music Director: Korianne Johnson

Choreographer: Adam Dyer

Conductor: Chris Smith

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Cast of 31, Crew of 27, Full Orchestra

  • Extensive Fight Choreography and Tumbling​

  • Use of the Rail and Aerialists

  • Took blocking notation in StageWrite

  • Coordinating with a live Orchestra

  • Maintained safety protocols and trained swings/adjustments during the COVID-19 Pandemic

  • Organized multiple simultaneous rehearsal rooms 

  • Calling Light, Sound, Deck, Rail and Spot Cues

  • Coordinated Filming of Project

  • Maintained Safety with multiple Harnessed Performers

Fiddler on The Roof
Dinner Engagement

A Dinner Engagement

Brigham Young University School of Music 2021

Composed by Lennox Berkeley

Libretto by  Paul Dehn

Director: Robert Brandt

Conductor: Nicolas Giusti

Coach: Barbra Allen

Pianist: Sylvan Scott

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Cast of 7, Crew of 5

  • Full show double cast to maximize shows with 3 additional covers (Total cast of 17)

  • Dealt with live food on stage

  • Worked in a functioning kitchen space onstage

  • Coordination with videographers for live streaming

  • Took blocking notation in StageWrite

  • Called light and deck cues

  • Worked with a live pianist

  • Maintained safety during the COVID-19 Pandemic

Bon Appetite

Brigham Young University School of Music 2021

Composed by Lee Hoiby

Text Drawn from Julia Child in The French Chef 

Director: Robert Brandt

Conductor: Nicolas Giusti

Coach: Barbra Allen

Pianist: Sylvan Scott

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Cast of 2, Crew of 5

  • Lead role double cast to Maximize Shows (total cast of 3)

  • Dealt with live food on stage

  • Worked in a functioning kitchen space onstage

  • Took blocking notation in StageWrite

  • Coordination with videographers for live streaming

  • Called light and deck cues

  • Worked with a live pianist

  • Maintained safety during the COVID-19 Pandemic

Bon Apetite
Prothero

Prothero

Salt Lake Fringe Festival 2021

Written by Maggie May

Directors: Mariah Eames & Mandarin Van Noy

Production Manager: Melissa Longhusrt 

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Cast of 7, Crew of 1

  • Was sole tech including light & cue lab operation

  • Working with a new script/revisions

  • Touring production across venues in the Salt Lake Fringe Festival

  • Took lead on scenic set up and take down including practical LED light strips

  • Coordinated cast travel to venue 

​

The Magic Flute

Brigham Young University School of Music 2019

Composed by Wolfgang Amadeus Mozart

Libreto by  Emanuel Schikaneder

Director: Joshua Lindsay

Maestro: Kory Katseanas

Coachs: Barbra Allen & Nicolas Giusti

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Cast of 34, Crew of 19, Full Orchestra

  • 19 Lead Roles Double Cast to Maximize Shows (Total cast of 53)

  • Took blocking notation in StageWrite

  • Worked with staggered rehearsals with midday in class rehearsals

  • Scheduled individual vocal coaching sessions with entire cast

  • Coordinated separate chorus rehearsals

  • Created run sheets for student chorus member and assigned show crew
  • Coordination with videographers for live streaming

  • Called light, rail, sound and deck cues

  • Worked with a live orchestra

The Magic Flute
Tribute.webp

Tribute

Artistic Director: Jacqueline P. Colledge

Associate Director UMB Co: Heather Gray

Production Manager: Jennifer Reed

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32 Dancers, Crew of 4

  • Coordinated with lighting designer to create prompt script

  • Called light, sound and rail cues

  • Coordinated work with a live string quartet

​

Rosencrantz and Guildenstern Are Dead

Written by Tom Stoppard

Directed by Reese Purser

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Cast of 25, Crew of 12

  • Took blocking notation in StageWrite

  • Created Rehearsal schedules

  • Created scenic/rail run sheets

  • Created prompt script

  • Called light, deck, rail and sound cues

The Player- Rosencrantz and Guildenstern Are Dead
Romeo y Julieta

Romeo y Julieta

Based on Rome and Juliet by William Shakespeare

Adapted by Vale McComb, Emily Dickerson & Mariah Eames

Directed by Julia Ashworth

​

Cast of 9, Crew of 1

  • Was sole technical support for touring production which performed to over 30 elementary schools and libraries as well as a 2 week run in the Harrison Fine Arts Center

  • Performed for over 1500 students in Utah and Salt Lake County

  • Coordinated cast performance with Utah bilingual education conference

  • Coordinated cast visit with playwright José Cruz Gonzalez

    Created tour schedules

  • Became Van certified to shuttle casts to various venues

  • FBI Background Check license to work in schools

  • Supervised scenic set up and take down 

  • Set up and ran sound on QLab

HappySadness

Written by Chandra Marie Lloyd

Directed by Taylor Hatch

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Cast of 6, Crew of 3

  • Took blocking notation 

  • Coordinated distribution of script revisions as it was a new work

  • Coordinated with the creation and maintenance of 5 puppets used throughout the show

  • Called light, sound and deck cues

  • Created a rehearsal schedule built around devising and playing with scenes for the benefit of the playwright

Happy Sadness
Nelke

Nelke Theatre
Resident Stage Manager

Cameron also worked for 5 years as the resident stage manager of the Harrison Fine Arts Centers Nelke Theatre

Responsibilities included:

  • Coordinating and addressing the technical needs of 15+ student and visiting production in a given semester

  • Programing the light board 

  • Light Hang/Focus

  • Running sound board

  • Coordinating on site scenic/prop storage

  • Mentoring student directors in how to work with Technical Directors

  • Supervising the scenic load in/load out of various productions

  • Maintaining theatre space/facilities

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